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Sabtu, 19 Desember 2009

Grave Imogiri, Masjid Kings of Mataram


Grave Imogiri, Masjid Kings of Mataram

Imogiri tomb is the tomb complex of the kings of Mataram and his family. The complex is located in Imogiri Ginirejo. This tomb was founded by Sultan Agung of the year 1632 - 1640M is a building of Sultanate palace.

The first king of Mataram was buried in the Imogiri Hanyokrokusumo Sultan Agung. He decided that Imogiri into his grave one day after he died. Until now, the king of Yogyakarta and Surakarta Sultanate who died were buried here. Holiday season a lot of local tourists visiting the tomb of Imogiri than a pilgrimage while enjoying the beautiful mountain scenery south of Yogyakarta. In the month of Javanese calendar Soro implemented according ceremony "drained" Padasan Kong Enceh.

Imogiri Masjid there are various buildings and sacred objects that are still preserved. Construction of the original building made of bricks. Buildings - the buildings in the tomb complex is lmogiri:

Mosque, this mosque is in the tomb complex, a traditional mosque built at about the time of Sultan Agung. in general is still the original structure has only just on the porch that is changing on the floor. Shingle-roofed mosque, but now the top coated with zinc. so that the roof, shingles can be seen only in the mosque just darts. Another element of conservatism in this mosque is pawestren and ponds in the front yard. In the foyer there is the mosque body (beds), with a diameter of 99 cm, 146 cm long. According to the caretaker percussion tomb is made during the mosque. Another element is the original pillars of teak in the prop square base of river stones. Mihrap a niche on the west wall, and the pulpit adorned with carvings of which there are manyerupai time.

Gate, the tomb complex im in there were four gates: Kori urang chopsticks, arch-shaped gate bit is shaped like a temple split, with no roof and no door. length of 220 cm. 150 cm wide, made of stone and brick. At the foot of the ornamental giometris there. On the right-sided chopsticks kori padhasan urang two, with ornate pedestal Tumpal.

Regol Sri Manganti I, paduraksa shaped gate having the roof and door gate Usually this is the gate to enter the page which was considered sacred. Made of white stone, but now coated semen.tangganya size 12.70 x 3.60 m made of bricks pair. Leaves of teak wood doors and decorated with two large areas of a rhombus-shaped, with carved motifs of plants. Below the threshold of the door was Latiyu (threshold of the door-steps berundak), five-story made of wood. There Dibelakangya Java figures.

Regol Sri Manganti II, paduraksa shape, but at this gate hiasanya pattern of reduced intensity (less), there are seven storey Latiyu and decorated with patterns of flowers in the middle. Latiyu Behind the numbers are Javanese.

Flat gate, a gate toward the tomb of Sultan Agung, located on the last page / page 1V. Im near the gate there is a stone structure called pelenggahan used by Sultan Agung to look at the southern sea.

Screen, It is a building wall that serves sebagal screen or protective cover door there are four screen gerbang.Disini namely:
Screen gate urang chopsticks, length 4.40 m, width O, 60m, terbuatdari bricks and stones arranged without cement

Sri Regol screen Manganti I, measuring 4.3 x 0.40 m 5 is also built of brick without plain cement roof section, while the bottom 17 areas covered by a square and six side.

Screen Regol Sri Manganti II, made of brick-sized 4 x 0.20 m, a field hiasanya carved areas are interspersed with geometric patterns of vegetation patterns.
Arch flat screen, consisting of white stone structure shaped like a L. This screen is not completely decorated.

Padasan, Padasan a place berwudlu / purification. Here there are 6 pieces padasan, there are 2 pieces outside the gates urang chopsticks and there are at page 4 of fruit and are usually called Kamandhungan or enceh Kong. Enceh two in the east of Sri Manganti REGOL steps 1 named Kyai Mendhung and Nyai Siyem. This is the second enceh offerings from the king Ngerum (Turkey) and Siyem (Thailand). Are located, on the west stairs and called Kyai Danumaya Nyai Danumurti, comes from Aceh and Palembang. Enceh-enceh is filled once a year on Tuesday and Friday Kliwon Kliwon the first month of Suro, the ceremony a special tradition.

Tombstone, headstone was tantamount to grave. Materials headstone makers in this tomb complex include andesite stone, brick, and marble. Headstone for a woman is usually the top blunt or rounded, the headstone for his pointy top. The tombstones in this tomb complex for the 8 (eight) groups of tombs.

Pool, pool is located on the front page of the mosque, exactly in front of the gate urang chopsticks. Filling the pool obtained from the spring.

(Source: http://bantulbiz.com/id/bizpage_wisata/id-137.html)

Welcome victory with Grebeg Syawal


Welcome victory with Grebeg Syawal

Every Idul Fitri, which is always celebrated the tradition of Kraton Jogja is Grebeg Syawal. Garebek who first performed at the time of Sultan Agung in 1613, then adjusted to Garebek Islamic religious teachings that made him held on major holidays of Islam. The party as a token of gratitude after a full month of fasting in Ramadan and Eid welcoming nature.

Grebegan dimuali celebration at 8 o'clock. Begins with the procession mountains and the Kingdom of Kemandungan soldiers into North Square. Up to 10 hours of the morning, the procession arrived at the North Square. Grebegan ceremony involves approximately 600 soldiers who participated in the Palace procession. The soldiers are divided into several groups, namely Pvt Daeng, Patangpuluh, Wirobrojo, Prawirotomo, Jogokaryo, Ketanggung, Nyutro and Mantrijero. All these soldiers were marching in formation of a posse carried mountains welcomed by the courtiers, soldiers and soldiers Surokarso Bugis and the procession of horses out of the Palace.

The ceremony was led by relatives of the Sultan, begins with a shot volley, mountain procession taken out from the palace to the mosque Gedhe Kauman. Arriving at the mosque yard, Mount blessed by ulemas. Thousands of people waited in the courtyard of the mosque for 'Ngalap Blessings', ready to fight various kinds of agricultural products is on the Mount. After the blessing was over, thousands of people fell on Mount and try to produce it.

Exact confidence Javanese society, people who managed to get the earth will be blessed with good life. Farmers plant on land rayahannya results, hoping to fertile fields. Other communities are dependent on agricultural produce door with the hope and life will always be improved. This belief is still strong for the Java community. Javanese society is still loyal and trust Karaton Jogja As with the central government as well as a trusted source of energy. While the Sultan is still a charismatic figure and the pride of the Javanese community.

Apart performed on 1 Syawal, Grebegan also performed on 12 Maulud, and the Big 10, which coincides with pewringatan Birthday of Prophet Muhammad, and Eid al-Adha. In celebration of 12 Mawlood, Grebegan celebration consists of 6 Mount. Consists of 2 Mount Kakung (male), Estri (female), Mount Dharat, Gepak, and Mount Pawuhan. One mound kakung paraded from Sultan's Palace to the Royal Palace of Pakualaman. Delivery of this mountain also involves the procession of soldiers palace, horses and elephants towards Pakualaman Kingdom.

Arak-Arakan is a spectacle that always awaited by citizens of Yogyakarta. Along the road to the Palace Pakualaman, namely Jl. P. Senopati and Jl. Sultan Agung, always packed with people who want to watch the procession, this aralkan. On page Kraton Pakualaman also been waiting for thousands of people who want to fight jogja Mount. Arriving at Mount Page Pakualaman, thousands of people directly memperebutkannya. Grebegan celebration is always followed by a celebration of people's market that takes place in the yard for a few Pakualaman
day.

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Labuhan, Tradition & Relationships Yogya Kraton Ratu Kidul


Labuhan, Tradition & Relationships Yogya Kraton Ratu Kidul

BANTUL - Parangkusumo beach is one beach that is considered sacred in the region Parangtritis Beach, Kretek, Bantul, Yogyakarta Special Region.
In Javanese culture and tradition, Parangkusumo beach is considered the main gateway to the Magical Kingdom South Sea, the South Sea Queen empire that controls the South Sea (Indian Ocean).

Port events, both from Kraton Ngayogyakarta Hadiningrat or the community, carried out at the beach this Parangkusumo. Labuhan ritual Parangkusumo Coast court as a symbol of remembrance and the power of the bond between the Kingdom and the southern sea lord.

RP Suraksotarwono, Interpreter Lock and elder residents said the harbor beach at Parangsumo Parangkusumo to Kanjeng Ratu Kidul is an important ritual for Ngayogyakarta Sultanate Palace. Queen of the South has promised to protect Panembahan Senopati and his descendants and the Mataram kingdom when in difficulties.

"On the basis of advice from the Ki interpreting Mertani, Panembahan Senopati Parangkusumo meditate on, a small beach on the outskirts of the South Sea," he said when met earlier this week.

Meditation is the exceptional result "goro-goro" and cause chaos in the kingdom of the South Sea (southern sea). Kanjeng Ratu Kidul Mataram rulers had come to them and said that his hopes had been granted by the Court exists.

Then the agreement between Panembahan Senopati and Ratu Kidul Kanjeng made, based on the Babad Tanah Java. The relationship between the kings of Mataram and Kanjeng Ratu Kidul strengthened cultural legitimacy to the Sultan.

"The story is that until now was believed by the Javanese people, especially people of Yogyakarta. So people are still performing rituals in the region Cepuri as a meeting place between the Queen of the South with Panembahan Senopati and also the beach area is believed to Parangkusumo keratonnya Ratu Kidul," he explained.

Although only a hereditary story, people who do rituals Nono said Mbah pangilan RP Suraksotarwono familiar thumb sucking is not alone. This has been proved by him to perform the ritual trance Parangkusomo Beach.

At that time in 1973 when he will be an abundance of office from his father, Mbah Nono accompanied his father to do the ritual with meditation Parangkusmo Beach. While doing meditation, suddenly the sea water at the beach Parangkusumo suddenly subsided and look of a kingdom.

"When I entered, from the kingdom looks like there is a magnificent gates. Passing through the gate of the building looks like Pendopo (front building). To go to Pendopo that there are three steps made of stone that is very beautiful and very clean," he said.

When he wants to up the marquee figure suddenly emerged Ratu Kidul. Immediately direct Nono Mbah lowered his face to pay homage to the ruler of the southern ocean. At long last bowed, suddenly touched the head of the South Queen Mbah Nono saying to accept the responsibility given his father, became the successor Cepuri caretaker.

"Through the experience of mystery that I accept responsibility as the caretaker Cepuri as a meeting place between Panembahan Senopati with Ratu Kidul," he said.

"By meeting the Queen of south in it also semedinya beyond reasonable logic also missed," he added.

As caretaker Cepuri, grandfather of four grandchildren have been endowed with these states, there are two places to go on pilgrimage sites of the stones called Sela Ageng and Stone gilang Sengker or stone. Ageng Sela at this location was first made Penembahan Senopati semedinya. But because not comfortable, then Panembahan Senopati move to a location sengker stone (small stones) is located in the southern part Ageng Sela.

While meditating in a small stone (Stone sengker) is Panembahan Senopati met with Ratu Kidul a story Ratu Kidul was willing to help and secure the kingdom and the boy fell Penembahan Senopati (the king of Yogyakarta Palace).

"With the promise of the Queen of the South that until now Labuhan ritual prayer which begins on the sidelines until later sengker Labuhan ended with the Coastal Area Parangkusumo still preserved. Even been entered into the agenda of cultural and beach tourism in Parangkusumo, Kretek, Bantul, Yogyakarta, "he said.

copy right : (Daru Waskita / Trijaya / HRI) from okezone.com

Keraton Ngayogyakarta Hadiningrat


Keraton Ngayogyakarta Hadiningrat

Ngayogyakarta Keraton or Kraton Yogyakarta Sultanate in general known by the public as one of building the royal palace of the archipelago. Sultan Palace is the official palace of Yogyakarta Sultanate until 1950 when the State government of the Republic of Indonesia to make the Sultanate of Yogyakarta (Duchy together Paku Alaman) as a special autonomous region with a provincial level DIY.

Yogyakarta Palace was founded by the Sultan began Hamengkubuwono I post a few months Giyanti Agreement in 1755. The location of this palace is the former allegedly a pesanggarahan who called Garjitawati. This rest house used to rest funeral procession of kings of Mataram (Kartasura and Surakarta) which will be buried in Imogiri. Another version says the palace is the location of a spring, Pacethokan Bannerman, who was in the middle of the forest Beringan. Before occupying the palace of Yogyakarta, Sultan Hamengkubuwono I stayed at the Guesthouse Amber Ketawang district now includes the area Gamping Sleman regency.

Physically, the palace of the Sultan of Yogyakarta has seven core complex is Siti Hinggil LER (North Hall), Kamandhungan LER (Kamandhungan North), Sri Manganti, Kedhaton, Kamagangan, Kamandhungan Kidul (South Kamandhungan), and Siti Hinggil Kidul (South Hall). Also Yogyakarta Palace had a good variety of cultural heritage in the form of ritual or ancient artifacts and historic. On the other hand, Sultan Palace is also a traditional institution, complete with customary stakeholders. Therefore not surprising that the values of philosophy as well as the mythology surrounding Yogyakarta Palace.

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Demung

Demung

Demung is one of the gamelan instruments including balungan family.

In one set of gamelan there are usually 2 demung, both have versions pelog and slendro. Demung produce tones with the lowest octave balungan family, with a physical size larger. Demung has a relatively wilahan thinner but wider than wilahan saron, so that the resulting tone lower. Hit demung usually made of wood, with a shape like a hammer, bigger and heavier than saron percussion.

There is a way ordinary menabuhnya appropriate tone, a tone that yields, or alternately beat between demung demung 1 and 2, producing varying tones interwoven but followed a certain pattern. Slow and fast hard penabuhan weak depending on the command of the drum and the type gendhingnya. In Gangsaran piece describing the condition of war for example, demung struck hard and fast. In a nuanced piece of military Gati, demung beating slow but hard. When accompanying the song struck softly. When the returns are in condition, so beating fast and hard.

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Gong

Gong

Gong is a musical instrument at the famous East Asia. Gong is used for traditional musical instruments. We have not much longer like this gong artisans.

Gong who have been beaten yet determined tone. New gong tones formed after rinsed and cleaned. If the tone is not appropriate, so that the scraped gongs bronze layer becomes thinner. In South Korea also called Kkwaenggwari. But kkwaenggwari made of brass-colored metal is played in a way supported by the five fingers and played by beating a short club. How to hold up five fingers kkwaenggwari use this proved to have a special purpose, because one finger (index finger) can be used to dampen vibrations and reduce the volume of gong chiming sound produced.

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Kendang

Kendang

Kendang is an instrument in the Central Javanese gamelan is one of the main functions set the rhythm. This instrument was sounded by hand, without tools bantu.Jenis small drum called ketipung, the medium is called percussion ciblon / kebar. Ketipung couples have one named drum gedhe kalih commonly called drums. Kalih Kendang played on a song or piece of fine character as Ketawang, kalih kethuk piece, and the rhythm Ladrang dadi. Can also be played quickly on the opening track of launch, Ladrang rhythm responsibility. For there is one more wayangan typical kendhang the kendhang doormat.

Kendang mostly played by professional gamelan players, who have long dive into Javanese culture. Kendang played mostly on instinct as pengendang, so when played by one person another premises will be different nuances.

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Rebab

Rebab

Rebab, (Arabic dilapalkan as: rebap, Rabab, rebeb, rababah, al-rababa) is a stringed instrument that is usually used 2 or 3 strings, this instrument found in many Islamic countries.

Musical instruments that use the bow and have three or two pieces of string from the strings of metal (copper) is his use jackfruit wood and hollow on the inside covered with dried cow skin as a loudspeaker.

In gamelan

In Sundanese music, this tool is also used as an accompaniment of gamelan, as a complement to accompany sinden sing with the harp and flute. In Javanese gamelan, rebab function not only as a supplement to accompany the singing sindhen but rather serves to guide the direction of the song sindhen.

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Saron

Saron

Saron (also known as ricik) is one of the gamelan instruments including balungan family.

In one set of gamelan usually have 4 saron, and all have versions pelog and slendro. Saron produce a tone an octave higher than demung, with a physical size smaller. Hit the saron usually made of wood, with a shape like a hammer.

There is a way ordinary menabuhnya appropriate tone, a tone that yields, or alternately beat between saron saron 1 and 2. Slow and fast hard penabuhan weak depending on the command of the drum and the type gendhingnya. In Gangsaran piece describing the condition of war for example, ricik struck hard and fast. In a nuanced piece of military Gati, beating ricik slow but hard. When accompanying the song struck softly.

In saron play, hitting the right hand wilahan / sheet metal with percussion, then the left hand punch that struck the previous wilahan to eliminate the hum from the beating that left the previous tone. This technique is called memathet (basic words: pathet = squeeze).

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Siter and Zither

Siter and Zither

Siter and zither stringed musical instrument is in the Javanese gamelan. It has to do also with the harp in Sundanese gamelan.

Siter and plop each had 11 and 13 pairs of strings, spanned both sides of the resonator box. Typical set of strings and string tone pelog other slendro tone. Generally sitar has a length of approximately 30 cm and placed in a box when he played, while the long zither roughly 90 inches and has four legs, and set an octave below the siter. Siter and zither played as one of the musical instruments played together (panerusan), an instrument that plays a crooked (melodic patterns based on balungan). Both siter or zither played with the same speed with the xylophone (fast tempo).

The name "siter" comes from the Dutch language "citer", which is also related to English "zither". "Plop" associated with celempungan Sundanese musical forms.

Siter strings played with the thumb, while the other fingers are used to hold the vibration when the other strings are picked, this is usually a characteristic of gamelan instruments. Fingers of both hands are used to hold, with the right hand fingers under the strings while the left finger was on the strings.

Siter and zither with various sizes are typical gamelan instruments Siteran, although also used in many other types of gamelan.

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Slenthem

Slenthem

Slenthem is one of the gamelan instruments consisting of thin sheet metal width of strung with rope and stretched across the tubes and produces a low hum or tone echoes that follow saron, ricik, and balungan when struck. Some have called it as a gender penembung. As with other instruments in a set of gamelan, slenthem must have an earlier version and version pelog slendro. Pelog Slenthem Wilahan generally have a range of tones C and B, while slenthem slendro over a range of tones C, D, E, G, A, C '.

How to play

How to beat the same as beating slenthem balungan, ricik, or saron. Swinging the bat right hand and left hand to "patet", which is holding the vibration happens in the sheet metal. In beating the more necessary slenthem instinct or feeling the drummers to produce an echo or form a good buzz. In the notation C, D, E, G for example, echoes that are generated when beating the tone C to disappear just as the tone of D struck, and so on.

For penabuhan tempo, which used the same way as when using balungan, ricik, and saron. But for certain circumstances such as demung offs, then slenthem played to fill the void between the tone of the drums played balungan slow with double plays balungan beats. Or it could be slenthem conditions must beat a balungan half times as fast balungan was struck, for example, when the piece of scenes Gangsaran war.

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Flute


Flute

The flute is a musical instrument from the family of wood wind instruments. Characterized by a soft voice and the flute can be combined with other instruments well.

Modern flute for experts generally made of silver, gold or a mixture of both. While the flute for students generally made of nickel-silver, or silver coated metal.

Ditalakan standard concert flute in C and has a range of 3 octaves tone starts from middle C. However, in some flute to the experts there are additional key to achieving the tone B below middle C. This means that the flute is one of the orchestra instruments are high, only the higher piccolo more than a flute. Piccolo is a small ditalakan flute an octave higher than the standard concert flute. Piccolo is also commonly used in the orchestra.

The modern concert flute has many choices. Thumb B-flat key (invented and pioneered by Briccialdi) standard. B foot joint, however, is an extra option for middle to upper models and professional.

Open-holed flute, also called French Flute (where some keys have a hole in the middle so the player must close it with a finger) on the general concert-level players. But some flute players (especially the students, and even some of the experts) chose plateau closed-hole keys. Students generally use temporary cover to cover the hole until they had mastered the finger placement is appropriate.

Some people believe that the open-hole keys are able to produce louder and more clearly in low tones.

Concert flute called Boehm flute, or flute alone.

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